0 Shares 178 Views

Saturday Afternoon At Newport Jazz Festival

Pat Metheny met his match. No matter how many quicksilver notes cascaded down the neck of his guitar, Mother Nature beat him out with raindrops during a Saturday afternoon deluge at the weekend’s Newport Jazz Festival.

But Metheny kept soaring, pianist Gwilym Simcock kept a towel close to his keys and Antonio Sanchez played through spray flying off his drums and cymbals. And when rain surged into downpours, persistent fans by the stage only cheered the moment, while the Grammy-stocked, onetime Cambridge guitarist dug into nuggets like “Bright Size Life.”

Pat Metheny

Luckily, Newport weather was great at Fort Adams State Park on Friday and Sunday and eventually the sun broke through on Saturday – ironically at the peak of Andra Day’s resilient “Rise Up.”

Day’s closing set also saw the soul singer transform her idol Billie Holiday’s anti-lynching ballad “Strange Fruit” while adding more contemporary zip to her own tunes and look, swapping do-rags for hair extensions and chiffon green.

It was particularly a strong weekend for jazz vocalists, including Cecile McLorin Salvant with the all-woman Artemis and transcendent upstart Jazzmeia Horn.

This year’s Newport Jazz, curated by bassist Christian McBride, truly ran the gamut, from Friday’s cranked up rockers Living Colour to Sunday’s Parliament-Funkadelic free-for-all with George Clinton. McBride himself partook in perhaps the strangest combo, an often-abstract Saturday strings trio with performance artist Laurie Anderson, who played electric violin and led the crowd in a cleansing rainy-day scream patterned after Yoko Ono’s the day after the 2016 election.

Laurie Anderson

Luckily, two of the stages were covered on Saturday, which led to additional highlights including art-song project Code Girl with Brookline-bred guitarist Mary Halvorson (who added a Jazz Journalists Association trophy to her recent besting of Metheny in guitar polls), a solo piano Jon Batiste, and singer/guitarist Jose James, who led a resonant Bill Withers tribute that kicked off with, of course, “Ain’t No Sunshine.”

And the weekend belonged to 80-year-old sax sage Charles Lloyd, who appeared Friday with free-form world group Sangam spiked by tabla virtuoso Zakir Hussain, Saturday with his New Quartet featuring pianist Jason Moran, and on Sunday with his Friends including rough-hewn Lucinda Williams, who touched on their joint album Vanished Gardens as well as her own edgy affirmation “Joy.” There was plenty of joy to go around over the weekend, even in Saturday’s pouring rain.

Jason Moran and Charles Lloyd

Source: improper.com

Teks & Pic by Paul Robicheau

You may be interested

How to Make Homework Machine at Home
Features
0 shares3112 views
0 shares3112 views

How to Make Homework Machine at Home

Mike Pontino - Oct 02, 2018

Learn How to make homework writing and drawing machine at home using Stepper motor. You can make this type of automatic writing machine…

Beauty, Harmony, Order, And Truth In Nature By Robert A. McKay
Art
0 shares218 views

Beauty, Harmony, Order, And Truth In Nature By Robert A. McKay

Mike Pontino - Oct 02, 2018

Robert A. McKay strives to capture the animated spirit of the figure and landscape through a painterly approach. "I endeavor to capture the…

Beyond The Illness By Shana Levenson
Art, Fashion
0 shares256 views

Beyond The Illness By Shana Levenson

Mike Pontino - Oct 02, 2018

Shana Levenson, who she was as a child has shaped who she is as an artist today. Every painting and every idea encompasses…

Most from this category